If you don't mind overtly pretentious gothic-industrial music, this might just be for you. Be forewarned, however, that if you did what I did and bought this album for a single track (Two Gods, in my case), you'll find very little in the way of variation. Every track uses the same bass synth, the same quasi-German expressionist wailing female vocals, the same hushed, almost chanted vocals. Which is all fine, if you don't like variety in your music. There is violin on every track, but it's used more for ambient noise than melody. Expect to hear that yawning tone and sinister sawing a lot.